Janette Kampherbeek

Janette Kampherbeek — South African oil painter and visual artist

Janette Kampherbeek in her studio with a wall of portrait drawings

I create portraits, figures and compositions through the application of several oil painting glazes to capture the unseen or metaphysical appearance through transparent layers. My work speaks to those who are searching for meaning in the non-physical, mystical and spiritual world in a way that will leave an imprint on their subconscious mind.

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Stories

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Works

Appearing Heads

Charcoal and ink on paper

30.5 cm x 23 cm

Blue Mood

Ink on paper

30.5 cm x 23 cm

Faceless

Oil on paper

30.5 cm x 23 cm

Parisian Man

Ink on paper

30.5 cm x 23 cm

Parisian Woman

Ink on paper

30.5 cm x 23 cm

Purple Medusa

Oil on paper

30.5 cm x 23 cm

What Was

Oil on paper

25 cm x 20 cm

Sacre Coeur Figure

Oil on paper

42 cm x 59.4 cm

We Are Mere Thumbnails

Oil on canvas

1,17 m x 58 cm

Janette Kampherbeek

I work and live in Cape Town, South Africa, but regularly join artist programmes and residencies in various countries to expand my artistic experiences. I earned a Fine Arts degree from the University of Pretoria in South Africa. My career in teaching, showing and creating art stretches over several decades. My experience as a curator of a contemporary art gallery has been valuable in understanding the important role of artists.

I create portraits, figures and compositions through the application of several oil painting glazes to capture the unseen or metaphysical appearance through transparent layers. I mostly work from memory or no reference at all, as the subject is merely a vehicle for breaking beyond the physical world. Oil as a medium provides the fluidity, mobility and subtlety for bringing the unseen to life. I have, since my childhood, been made aware of another layer of consciousness and grew up with stories told about ghosts and strange experiences. I have been fascinated with the mystical ever since and it is the force behind my creativity. My art is not a conscious depiction of this but is rather influenced by it.

Table Talk collection

Stories

Notes from the studio — process, image journals, and writing from behind the work.

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My art is about bringing the unseen into being. "My art is about bringing the unseen into being. "My art is about bringing the unseen into being. "My art is about bringing the unseen into being. "My art is about bringing the unseen into being. "My art is about bringing the unseen into being. "My art is about bringing the unseen into being. "My art is about bringing the unseen into being. "

Recent Exhibitions

  • 2026

    CYCLES & TRANSFIGURATIONS 2026, The Muisca Gallery

    Paris, France

    Cycles & Transfigurations celebrates the fertile instability of the world and the beauty of transitions. The exhibition envisions art as a space of continuous metamorphosis, where each work testifies to the capacity of all things to evolve, disappear, and be reborn in a new form.

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  • 2026

    Hermanus FynArts Festival

    Onrus, South Africa

    The Fynarts festival is an annual celebration of fine art, sculpture, music, drama and performance. It is hosted in June and attracts a lot of international tourists. I have participated in group exhibitions held during Fynarts the past two years. Click see more to view the showcase held at the Pieter Vermaak Art Studio in Onrus, Hermanus from 6 - 14 June 2026.

  • 2026

    Evanescence, The Muisca Gallery

    Paris, France

    Evanescence presents itself as a journey through suspended spaces where the visible fades away to give way to the vibration of the moment. The exhibition explores the fragility of forms and the beauty of the ephemeral, transforming the space into a sensory experience where the tangible meets the invisible.

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  • 2026

    Residency Showcase - Cité Internationale des Arts

    Paris, France

    My artist residency programme at the Cité Internationale des Arts, Paris, France, concluded with a one-man exhibition on 22 April 2026. It forms part of their Open Studio programme. The feedback was meaningful as my art was exposed to a new and informed audience.